Screenwriting

10 Filmmakers to Watch in 2011

The Independent's Nikki Chase lists the top 10 filmmakers we think you should watch this year.


An image from "When the Mountains Tremble," a film by Pamela Yates, one of our 10 to Watch. Photo by Jean-Marie Simon © 2011.

From animation and shorts, to Web series, narrative features and documentaries, The Independent's 10 to Watch list brings you filmmakers from all backgrounds and genres, each of whom has one very important thing in common: Crazy-big talent.

It's time for our annual 10 Filmmakers to Watch list. We’ve pooled our resources and brainpower to get the scoop on who’s who this year.

Facebook Exclusive Content for 10 to Watch

Via Facebook, The Independent announces our 10 to Watch in 2011 with one filmmaker (and one piece of exclusive content) per day, from May 6th through the 15th.

A still from <i>Short Term 12</i>, a film by Destin Daniel Cretton, one of The Independent's 10 filmmakers to Watch.

We'll be announcing our annual list of 10 of the most talented filmmakers we think you should keep your eye on by posting exclusive content daily on our Facebook page.

Editor's Note: This collaborative reporting effort was led by Nikki Chase, Maddy Kadish and Beth Brosnan.

Whose Hugo?

As an author adapts her own novel for the screen, a fan (and sometimes screenwriter) asks her about the process, pondering the art of translation, and the tenuous nature of characters’ identities.


Frodo, by bwats2, may have looked different to you before the LOTR movies.

Part fan interview, part experimental essay, David Pierotti ruminates on the many forms his alter-ego, a character in Kate Christensen's novel, The Epicure's Lament, could take as Christensen adapts her novel into a screenplay.

I detest being surprised by people, especially those to who a certain degree of my identity depends upon feeling superior. -Hugo Whittier, in “The Epicure’s Lament” by Kate Christensen.

10 to Watch in 2010... Plus Five Runners-Up

After 10 days of Facebook-exclusive interviews, the suspense is finally over: The Independent's 10 filmmakers to keep an eye on in 2010... and the runners-up.


An image from Dash Shaw's <i>Slobs and Nags</i>.

They come from all walks of life, and each has a different story to tell. Some have found success, while others are just beginning their careers. And although their filmmaking reflects this diversity, they all have one major thing in common (other than being on this list): talent. Be sure to take notes as you read...you'll want to remember these filmmakers.

Choosing The Independent's 10 to Watch is like trying to predict the future, or the stock market, or the weather in New England. The films on this list are in all stages of production and the filmmakers range from seasoned professionals to debut artists. So you might wonder how we named this particular group. How, exactly, does one go about predicting what 2010 has in store?

30 Quintessential Books for Independent Filmmakers

The Independent examines the top 30 books every filmmaker should add to their library, and why.


It might be time for a bigger bookshelf. (Photo credit Zen at flickr.com)

Ever wonder what, exactly, independent filmmakers – both aspiring and established – should be reading? Look no further than The Independent's 30 Quintessential Books for Independent Filmmakers. Here, we list the top must-owns, including Independent Feature Film Production, The Filmmaker's Handbook, Sidney Lumet's Making Movies, and From Reel to Deal.

Ever wonder what, exactly, independent filmmakers – both aspiring and established – should be reading?

The Write Way: An Interview with Pamela Cuming and Lee Ross of "Downloading Nancy"

Screenwriters Lee Ross and Pamela Cuming discuss their writing process, recent screenings and how the film has been recieved so far.


Lee Ross and Pamela Cuming, the writers behind <i>Downloading Nancy</i>.

After a film finds success, the industry usually lauds the miraculous execution of the director and the cast. Yet, often ignored are those who actually crafted the story: the writers. The Independent’s, Joi R. Wheatley, taps into the ingenious minds of Pamela Cuming and Lee Ross who wrote the dark, intense, drama Downloading Nancy, which was recently screened at the Seattle International Film Festival. The film, starring Maria Bellow and Jason Patric, follows a middle-aged wife who orders a man she met on the Internet to kill her so she can escape from her unhappy life (view the trailer here). Cuming and Lee discuss how the idea became a script, why it’s important to produce and direct your own projects, and what’s next for this writing duo.

After a film finds success, the industry usually lauds the miraculous execution of the director and the cast. Yet, often ignored are those who actually crafted the story: the writers. The Independent’s, Joi R.

A Little Money, a Long Way: An Interview with Joseph Cashiola

Joseph Cashiola discusses his first feature film, IFP grant, and, “stuff.”


Director Joseph Cashiola is finishing up post production on his film "A Thing as Big as the Ocean."

Director Joseph Cashiola sits down for coffee with The Independent's Jennifer Sheffield and hashes out the details behind the making of his first feature-length film, A Thing as Big as the Ocean (view the trailer here), now in post-production and ready to hit up festivals in 2009. Cashiola discusses working with his brother, shooting on the road, and the difference between independent filmmakers and "beginner-level professionals."

Joseph Cashiola says that there has to be “exploration” in his life, or he’s not happy. This is the result of traveling around in an Army family as a kid. Fittingly, Cashiola, 27, continues on a self-taught, road-tested, and successful spiral into independent filmmaking and is not short on ideas.

The 10 Best Academic Programs for Aspiring Screenwriters

The Independent takes a look at the best degree and non-degree granting programs for screenwriters.


Students particpating in the USC Writing for Screen and TV Video program.

The Independent's Jericho Parms sifts through the multitude of programs for aspiring screenwriters and boils down the essentials so you can find the best fit to help you achieve your screenwriting goal, whether that be having as many finished screenplays by the end of the program as possible, or walking away with an education that not only helps you put your ideas on paper, but helps prepare you to sell your ideas to the people who can get them up on the big screen.

Whether or not to pursue an education in the film industry has long been a hot topic. Clearly, there are identifiable pros and cons of electing to formally study film, more particularly choosing to concentrate on a single element, such as screenwriting.

From Dreams to the Screen: From Nightmare to Toronto

Australian screenwriting duo, Armstrong & Krause talk about their writing process, horrific influences and how near-death experiences led them to the craft of portraying nightmares.


A still from Acolytes, screening at TIFF this month.

Up-and-coming Austrialian screenwriting duo, Armstrong & Krause, talk to the Independent about brainstorming horror films and their new film, Acolytes (see trailer), which screened at the Toronto Film Festival in September.

For the most part, our nightmares are something on which we try not to dwell. However, in the case of Australian screenwriting duo Shanye Armstrong and S.P. Krause, nightmares are explored, outlined and used as the basis for many of their chilling storylines.

Writer's Strike: A Conclusion

The fifth and final segment in The Independent's screenplay series on the Writer's Strike.


The lonely striker.

As the Writers Guild of America Strike seems to be finally nearing its end after three months, The Independent offers this concluding segment in its screenplay series. You can also read the other strike screenplays, written by Rufus Chaffee, Dorothy Blyskal, Dane Young and Randy Steinberg. (Photo source: Salomedusa.)

As the Writers Guild of America Strike seems to be finally nearing its end after three months, The Independent offers this concluding segment in its screenplay series. You can also read the other strike screenplays, written by Rufus Chaffee, Dorothy Blyskal, Dane Young and Randy Steinberg.

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