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 <title>Screenwriting</title>
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 <title>10 Filmmakers to Watch in 2011</title>
 <link>http://www.aivf.org/magazine/2011/05/10_to_Watch_2011</link>
 <description>&lt;p&gt;It&#039;s time for our annual &lt;i&gt;10 Filmmakers to Watch&lt;/i&gt; list. We’ve pooled our resources and brainpower to get the scoop on who’s who this year.&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.aivf.org/magazine/2011/05/10_to_Watch_2011&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <comments>http://www.aivf.org/magazine/2011/05/10_to_Watch_2011#comments</comments>
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 <category domain="http://www.aivf.org/taxonomy/term/281">May 2011</category>
 <category domain="http://www.aivf.org/taxonomy/term/193">Casting</category>
 <category domain="http://www.aivf.org/taxonomy/term/194">Crew</category>
 <category domain="http://www.aivf.org/themes/distribution">Distribution</category>
 <category domain="http://www.aivf.org/themes/documentary">Documentary</category>
 <category domain="http://www.aivf.org/taxonomy/term/5">Features</category>
 <category domain="http://www.aivf.org/taxonomy/term/195">Film Budgeting</category>
 <category domain="http://www.aivf.org/themes/festivals">Film Festivals</category>
 <category domain="http://www.aivf.org/themes/financing">Film Financing</category>
 <category domain="http://www.aivf.org/taxonomy/term/36">Film Schools</category>
 <category domain="http://www.aivf.org/taxonomy/term/33">Internet</category>
 <category domain="http://www.aivf.org/taxonomy/term/196">Making Films</category>
 <category domain="http://www.aivf.org/taxonomy/term/130">Microcinema</category>
 <category domain="http://www.aivf.org/taxonomy/term/189">New Media</category>
 <category domain="http://www.aivf.org/taxonomy/term/191">Screenwriting</category>
 <category domain="http://www.aivf.org/taxonomy/term/23">Television</category>
 <pubDate>Mon, 16 May 2011 19:45:32 -0500</pubDate>
 <dc:creator>cristina</dc:creator>
 <guid isPermaLink="false">4043 at http://www.aivf.org</guid>
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<item>
 <title>Facebook Exclusive Content for 10 to Watch</title>
 <link>http://www.aivf.org/magazine/2011/05/10_to_Watch_2011_Facebook_Exclusives</link>
 <description>&lt;p&gt;Editor&#039;s Note: This collaborative reporting effort was led by Nikki Chase, Maddy Kadish and Beth Brosnan.&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.aivf.org/magazine/2011/05/10_to_Watch_2011_Facebook_Exclusives&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <comments>http://www.aivf.org/magazine/2011/05/10_to_Watch_2011_Facebook_Exclusives#comments</comments>
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 <category domain="http://www.aivf.org/taxonomy/term/281">May 2011</category>
 <category domain="http://www.aivf.org/taxonomy/term/3">Profiles</category>
 <category domain="http://www.aivf.org/taxonomy/term/188">Activism</category>
 <category domain="http://www.aivf.org/taxonomy/term/193">Casting</category>
 <category domain="http://www.aivf.org/taxonomy/term/194">Crew</category>
 <category domain="http://www.aivf.org/themes/documentary">Documentary</category>
 <category domain="http://www.aivf.org/taxonomy/term/36">Film Schools</category>
 <category domain="http://www.aivf.org/taxonomy/term/33">Internet</category>
 <category domain="http://www.aivf.org/taxonomy/term/4">Interviews</category>
 <category domain="http://www.aivf.org/taxonomy/term/196">Making Films</category>
 <category domain="http://www.aivf.org/taxonomy/term/130">Microcinema</category>
 <category domain="http://www.aivf.org/taxonomy/term/189">New Media</category>
 <category domain="http://www.aivf.org/taxonomy/term/191">Screenwriting</category>
 <category domain="http://www.aivf.org/taxonomy/term/23">Television</category>
 <pubDate>Fri, 06 May 2011 17:53:18 -0500</pubDate>
 <dc:creator>cristina</dc:creator>
 <guid isPermaLink="false">3985 at http://www.aivf.org</guid>
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<item>
 <title>Whose Hugo?</title>
 <link>http://www.aivf.org/magazine/2010/12/David_Pierotti_Kate_Christensen_The_Epicures_Lament_adaptation</link>
 <description>&lt;p&gt;&lt;b&gt;I detest being surprised by people, especially those to who a certain degree of my identity depends upon feeling superior. -Hugo Whittier, in “The Epicure’s Lament” by Kate Christensen.&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.aivf.org/magazine/2010/12/David_Pierotti_Kate_Christensen_The_Epicures_Lament_adaptation&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <comments>http://www.aivf.org/magazine/2010/12/David_Pierotti_Kate_Christensen_The_Epicures_Lament_adaptation#comments</comments>
 <enclosure url="http://www.aivf.org/image/view/3498/preview" length="31041" type="image/jpeg" />
 <category domain="http://www.aivf.org/taxonomy/term/275">December 2010</category>
 <category domain="http://www.aivf.org/taxonomy/term/4">Interviews</category>
 <category domain="http://www.aivf.org/taxonomy/term/191">Screenwriting</category>
 <pubDate>Thu, 09 Dec 2010 00:00:00 -0600</pubDate>
 <dc:creator>erin</dc:creator>
 <guid isPermaLink="false">3497 at http://www.aivf.org</guid>
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 <title>10 to Watch in 2010... Plus Five Runners-Up</title>
 <link>http://www.aivf.org/magazine/2010/02/10_to_watch</link>
 <description>&lt;p&gt;Choosing &lt;i&gt;The Independent&#039;s&lt;/i&gt; &lt;b&gt;10 to Watch&lt;/b&gt; is like trying to predict the future, or the stock market, or the weather in New England. The films on this list are in all stages of production and the filmmakers range from seasoned professionals to debut artists. So you might wonder how we named this particular group. How, exactly, does one go about predicting what 2010 has in store?&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.aivf.org/magazine/2010/02/10_to_watch&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <comments>http://www.aivf.org/magazine/2010/02/10_to_watch#comments</comments>
 <enclosure url="http://www.aivf.org/image/view/3001/preview" length="24438" type="image/jpeg" />
 <category domain="http://www.aivf.org/taxonomy/term/265">February 2010</category>
 <category domain="http://www.aivf.org/taxonomy/term/188">Activism</category>
 <category domain="http://www.aivf.org/themes/documentary">Documentary</category>
 <category domain="http://www.aivf.org/taxonomy/term/5">Features</category>
 <category domain="http://www.aivf.org/themes/festivals">Film Festivals</category>
 <category domain="http://www.aivf.org/themes/financing">Film Financing</category>
 <category domain="http://www.aivf.org/taxonomy/term/25">Film Organizations</category>
 <category domain="http://www.aivf.org/taxonomy/term/36">Film Schools</category>
 <category domain="http://www.aivf.org/taxonomy/term/33">Internet</category>
 <category domain="http://www.aivf.org/taxonomy/term/196">Making Films</category>
 <category domain="http://www.aivf.org/taxonomy/term/130">Microcinema</category>
 <category domain="http://www.aivf.org/taxonomy/term/189">New Media</category>
 <category domain="http://www.aivf.org/taxonomy/term/191">Screenwriting</category>
 <category domain="http://www.aivf.org/taxonomy/term/26">International</category>
 <pubDate>Thu, 04 Feb 2010 00:00:00 -0600</pubDate>
 <dc:creator>cristina</dc:creator>
 <guid isPermaLink="false">3000 at http://www.aivf.org</guid>
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<item>
 <title>30 Quintessential Books for Independent Filmmakers</title>
 <link>http://www.aivf.org/magazine/2009/10/bestbooks</link>
 <description>&lt;p&gt;Ever wonder what, exactly, independent filmmakers – both aspiring and established – should be reading?&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.aivf.org/magazine/2009/10/bestbooks&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <comments>http://www.aivf.org/magazine/2009/10/bestbooks#comments</comments>
 <enclosure url="http://www.aivf.org/image/view/2838/preview" length="44459" type="image/jpeg" />
 <category domain="http://www.aivf.org/taxonomy/term/257">October 2009</category>
 <category domain="http://www.aivf.org/taxonomy/term/38">Advice</category>
 <category domain="http://www.aivf.org/taxonomy/term/193">Casting</category>
 <category domain="http://www.aivf.org/taxonomy/term/194">Crew</category>
 <category domain="http://www.aivf.org/themes/distribution">Distribution</category>
 <category domain="http://www.aivf.org/themes/documentary">Documentary</category>
 <category domain="http://www.aivf.org/taxonomy/term/195">Film Budgeting</category>
 <category domain="http://www.aivf.org/themes/financing">Film Financing</category>
 <category domain="http://www.aivf.org/taxonomy/term/196">Making Films</category>
 <category domain="http://www.aivf.org/taxonomy/term/191">Screenwriting</category>
 <category domain="http://www.aivf.org/themes/technical">Technical</category>
 <pubDate>Tue, 06 Oct 2009 00:00:00 -0500</pubDate>
 <dc:creator>cristina</dc:creator>
 <guid isPermaLink="false">2839 at http://www.aivf.org</guid>
</item>
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 <title>The Write Way: An Interview with Pamela Cuming and Lee Ross of &quot;Downloading Nancy&quot;</title>
 <link>http://www.aivf.org/magazine/06/2009/dlnancyinterview</link>
 <description>&lt;p&gt;After a film finds success, the industry usually lauds the miraculous execution of the director and the cast. Yet, often ignored are those who actually crafted the story: the writers. &lt;i&gt;The Independent&lt;/i&gt;’s, Joi R.&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.aivf.org/magazine/06/2009/dlnancyinterview&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <comments>http://www.aivf.org/magazine/06/2009/dlnancyinterview#comments</comments>
 <enclosure url="http://www.aivf.org/image/view/2656/preview" length="50653" type="image/jpeg" />
 <category domain="http://www.aivf.org/taxonomy/term/253">June 2009</category>
 <category domain="http://www.aivf.org/taxonomy/term/4">Interviews</category>
 <category domain="http://www.aivf.org/taxonomy/term/196">Making Films</category>
 <category domain="http://www.aivf.org/taxonomy/term/191">Screenwriting</category>
 <category domain="http://www.aivf.org/themes/screenwriting">Screenwriting</category>
 <pubDate>Tue, 09 Jun 2009 13:28:10 -0500</pubDate>
 <dc:creator>Nikki</dc:creator>
 <guid isPermaLink="false">2657 at http://www.aivf.org</guid>
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 <title>A Little Money, a Long Way: An Interview with Joseph Cashiola</title>
 <link>http://www.aivf.org/magazine/2009/03/cashiolainterview</link>
 <description>&lt;p&gt;Joseph Cashiola says that there has to be “exploration” in his life, or he’s not happy.  This is the result of traveling around in an Army family as a kid.  Fittingly, Cashiola, 27, continues on a self-taught, road-tested, and successful spiral into independent filmmaking and is not short on ideas.&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.aivf.org/magazine/2009/03/cashiolainterview&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <comments>http://www.aivf.org/magazine/2009/03/cashiolainterview#comments</comments>
 <enclosure url="http://www.aivf.org/image/view/2446/preview" length="78934" type="image/jpeg" />
 <category domain="http://www.aivf.org/category/date/2009/march">March 2009</category>
 <category domain="http://www.aivf.org/taxonomy/term/3">Profiles</category>
 <category domain="http://www.aivf.org/taxonomy/term/4">Interviews</category>
 <category domain="http://www.aivf.org/taxonomy/term/196">Making Films</category>
 <category domain="http://www.aivf.org/taxonomy/term/191">Screenwriting</category>
 <pubDate>Fri, 20 Mar 2009 17:08:49 -0500</pubDate>
 <dc:creator>Nikki</dc:creator>
 <guid isPermaLink="false">2447 at http://www.aivf.org</guid>
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 <title>The 10 Best Academic Programs for Aspiring Screenwriters</title>
 <link>http://www.aivf.org/magazine/2008/12/screenwritingten</link>
 <description>&lt;p&gt;Whether or not to pursue an education in the film industry has long been a hot topic. Clearly, there are identifiable pros and cons of electing to formally study film, more particularly choosing to concentrate on a single element, such as screenwriting.&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.aivf.org/magazine/2008/12/screenwritingten&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <comments>http://www.aivf.org/magazine/2008/12/screenwritingten#comments</comments>
 <enclosure url="http://www.aivf.org/image/view/2293/preview" length="25193" type="image/jpeg" />
 <category domain="http://www.aivf.org/category/date/2008/december-2008">December 2008</category>
 <category domain="http://www.aivf.org/taxonomy/term/36">Film Schools</category>
 <category domain="http://www.aivf.org/taxonomy/term/2">Reviews</category>
 <category domain="http://www.aivf.org/taxonomy/term/191">Screenwriting</category>
 <pubDate>Sat, 20 Dec 2008 17:32:16 -0600</pubDate>
 <dc:creator>Nikki</dc:creator>
 <guid isPermaLink="false">2294 at http://www.aivf.org</guid>
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 <title>From Dreams to the Screen: From Nightmare to Toronto</title>
 <link>http://www.aivf.org/08/09/dreams-screen-nightmare-toronto</link>
 <description>&lt;p&gt;For the most part, our nightmares are something on which we try not to dwell. However, in the case of Australian screenwriting duo Shanye Armstrong and S.P. Krause, nightmares are explored, outlined and used as the basis for many of their chilling storylines.&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.aivf.org/08/09/dreams-screen-nightmare-toronto&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <comments>http://www.aivf.org/08/09/dreams-screen-nightmare-toronto#comments</comments>
 <enclosure url="http://www.aivf.org/image/view/1965/preview" length="29755" type="image/jpeg" />
 <category domain="http://www.aivf.org/category/date/2008/september-2008">September 2008</category>
 <category domain="http://www.aivf.org/taxonomy/term/3">Profiles</category>
 <category domain="http://www.aivf.org/taxonomy/term/4">Interviews</category>
 <category domain="http://www.aivf.org/taxonomy/term/191">Screenwriting</category>
 <pubDate>Mon, 22 Sep 2008 00:00:00 -0500</pubDate>
 <dc:creator>Nikki</dc:creator>
 <guid isPermaLink="false">1964 at http://www.aivf.org</guid>
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 <title>Writer&#039;s Strike: A Conclusion</title>
 <link>http://www.aivf.org/2008/02/writers-strike</link>
 <description>&lt;p&gt;&lt;i&gt;As the Writers Guild of America Strike seems to be finally nearing its end after three months, &lt;i&gt;The Independent &lt;/i&gt;offers this concluding segment in its screenplay series.  You can also read the other strike screenplays, written by  &lt;a href=&quot;//independent-magazine.org/node/788&quot;&gt;Rufus Chaffee&lt;/a&gt;, &lt;a href=&quot;http://independent-magazine.org/node/785&quot;&gt;Dorothy Blyskal&lt;/a&gt;, &lt;a href=&quot;http://independent-magazine.org/node/802&quot;&gt;Dane Young&lt;/a&gt; and &lt;a href=&quot;http://independent-magazine.org/node/822&quot;&gt;Randy Steinberg&lt;/a&gt;. &lt;/i&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.aivf.org/2008/02/writers-strike&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <comments>http://www.aivf.org/2008/02/writers-strike#comments</comments>
 <enclosure url="http://www.aivf.org/image/view/947/preview" length="19780" type="image/jpeg" />
 <category domain="http://www.aivf.org/taxonomy/term/224">February 2008</category>
 <category domain="http://www.aivf.org/taxonomy/term/191">Screenwriting</category>
 <pubDate>Mon, 11 Feb 2008 21:33:23 -0600</pubDate>
 <dc:creator>michele</dc:creator>
 <guid isPermaLink="false">945 at http://www.aivf.org</guid>
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