Screenwriting

What Rolled Up Must Come Down

A legal guide to screenwriting credits


Written by? Created by? Screenplay by?

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How (some) shorts grow long


A long time ago, in a film school far, far away (from NYU), a young man with big dreams and a small bank account made a short film with a long title. His name was George. And in 1970, between graduating USC’s School of Cinema and pursuing a master’s, George made the student award-winning Electronic Labyrinth: THX-1138 4EB, which he eventually expanded into a feature.

The Many Shades of Ira Sachs

A writer/director as colorful as his characters


Ira Sachs won’t let me watch him bum cigarettes.

Q/A: Luke Wilson


Sometimes my friend Laura Donovan will call me out of the blue and just say these two words: “Macaw! Macaw!” Circa 1997, Laura told me about a small “independent” film called Bottle Rocket (An “independent” film?

Secrets and LIES

A Miramax script developer busts some industry myth-conceptions


You have become the thing that you have mocked. That’s a paraphrase of a famous Shakespeare line, and it’s also a line that often popped into my head after I became a script and story analyst. By choosing to work on the development side of film, I had allied myself with the “thing” most screenwriters mock: the dreaded development executive.

LA Film with a View

Independents take to the roof


In New York, a rooftop is not merely a rooftop. Part refuge, part observation deck, the roof is where New Yorkers go to escape, embrace, and celebrate their city. It’s no surprise then, that filmmakers have long used rooftops to convey New York life: they’re ubiquitous, photogenic, and, most of all, emblematic.

The Miller’s Daughter

Rebecca Miller’s lives out (and films) her dreams


Rebecca Miller needs to recharge. Well, her phone at least.

Q/A: Stanley Crouch


Stanley Crouch is one of America’s most eloquent and original social critics. In the last three decades, Crouch has published several books and his essays have appeared in numerous national publications including Harper’s and The New Republic. In 1993 he was awarded the MacArthur “genius grant” in recognition of his work.

Revolutionary Road

John Sayles’s rise from meatpacking to Silver City


When he’d just sprung from the college gates in 1972, John Sayles embarked on a cross-country hitchhiking trip. “It was a lot safer than it is now,” he said.

Can Story be Taught?

Robert McKee’s Enduring Appeal


Charlie Kaufman: Screenwriting seminars are bullshit

Donald Kaufman: In theory, I agree with you. But this one’s different. This one’s highly regarded in the industry.

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