Prince Among Slaves, which aired in February on PBS as part of public television's Black History Month programming, is the story of Abdul Rahman Ibrahima, an African prince who was captured by slave traders in 1788. He completed the Middle Passage in shackles, and ended up sold to a farmer of modest means in Natchez, Mississippi.
Making Films
"Prince Among Slaves": Recreating History on a Budget
Director Andrea Kalin talks about making a film set in the 18th Century and on two continents
March 3rd, 2008 | Mike HofmanLetter from Bangkok: Thai Indies Flourish, and Face New Censorship
Directors Apichatpong Weerasethakul and Thunska Pansittivorakul dazzle international audiences, but find themselves less popular at home
February 18th, 2008 | Denise Burrell-StinsonMainstream Thai cinema is coming up on the international radar lately. In 2003, Francis Ford Coppola spearheaded the international release of Suriyothai, one of the highest grossing Thai films ever when it was first released in that country. It recalls the heroic exploits of a 16th Thai queen defending her country against Burmese invasion.
Taking an Abstract Idea and Creating a Narrative
How the filmmakers behind "King Corn" crafted a compelling documentary about an inanimate subject matter
December 10th, 2007 | Erica BernsteinKing Corn is a slightly apocalyptic documentary that explores where we come from—or where our food comes from, at the very least. By interweaving a filmmaker-as-subject story of two guys, a cornfield, and some ammonia fertilizer with disparate elements, the film expertly tackles the complicated overarching issues related to farming subsidies in the United States.
The Doc Doctor's Anatomy of a Film: "Rock and a Heart Place"
In the second installment of this monthly feature, the Doc Doctor Fernanda Rossi presents a case study of "Rock and a Heart Place"
December 1st, 2007 | Fernanda RossiCase Study No. 2
Rock and a Heart Place, produced by Nancy Sabino and Michael Sodano
Running time: 80 minutes
Film Vitals
Logline: Each Christmas, 400 volunteers band together to give the greatest gift: joy to the forgotten of society, the homeless, the seniors and the disabled of their neighborhood.
Will Success Spoil the 48 Hour Film Project?
The 48 Hour Film Project has a legion of devoted fans and a worldwide presence. Now, if the founders could just figure out a way to pay the bills without selling out.
November 8th, 2007 | Nadine HeintzOn a sunny Saturday afternoon in January, director David Butler and his motley film crew set up shop in a cavernous yellow brick building on Eastern Avenue in Baltimore’s Little Italy. The team, known collectively as Bargain Basement Films, started straggling in at about 7 a.m.
Exploring Her Formative Years
British filmmaker Hope Dickson Leach reflects on schooling—in fiction and real life—and the shift from making shorts to her first feature
November 2nd, 2007 | Mariel Lynn DiSibioAs a young girl, Hope Dickson Leach dreamed of becoming a painter. She attended boarding school in England from the ages of 9 to 17 and earned an undergraduate degree in philosophy from the University of Edinburgh. But after interning for the likes of Mario Kassar and Todd Solondz, she convinced Columbia University's film department to give her a chance.
No Ordinary Granny
Filmmaker Marlo Poras discusses the making of Run Granny Run, a film about political activist Doris Haddock
October 4th, 2007 | Michele MeekIt's no ordinary day when a 90-year old grandmother sets out on a walk across the United States to make a point, and Doris "Granny D" Haddock is no ordinary woman. The protagonist of Run Granny Run spent 14 months in 2000 on her cross-country journey to bring attention to campaign finance reform.
Airing Your Dirty Laundry
The complicated ethics of making a film about your family
October 3rd, 2007 | Erin TrahanDoug Block wasn’t sure he had a film yet. His mother had passed away and he was videotaping his father’s move from the family home for posterity. Block had every reason to believe his parents’ 54-year marriage was happy. Then, riding next to his father one afternoon, he asked, “Do you miss mom?”
“No, I can’t say I miss her,” said his father, staring straight ahead.
A Conversation with Les Blank
David Tamés talks with the filmmaker about his experiences with Werner Herzog, why he self distributes, and which of his films he considers his favorite
October 1st, 2007 | David TamésIn his new film All In This Tea, director Les Blank operates at the far extremes of technology, using digital video to explore an old-world subject matter: artisan, handmade tea.
AIVF: And What it Meant to Me
July 1st, 2006I first became aware of AIVF when Martha Gever was editor of The Independent. I marveled at this national organization that put out each month a magazine chock full of weighty, intellectual and critical articles on film and video.