Doc filmmaker Chris Paine assures viewers and environmentalists--the electric car was just taking a very long nap.July 6th, 2011 | Katherine Brodsky
If you thought the electric car died a slow, tragic death, you're right. And if you're like filmmaker Chris Paine, who helped document its demise in Who Killed the Electric Car? or the inventors and advocates in his new film, Revenge of the Electric Car then you believe, beyond a shadow of the doubt, electric can and will power vehicles of the future. Read what Paine told the The Independent's Katherine Brodsky after his film premiered.
Director Chris Paine is back with a follow-up to his highly touted documentary, Who Killed the Electric Car?, which celebrated the birth and mourned the death of the electric car. With help from a cast of unwavering advocates, Paine resurrects the vehicle in Revenge of the Electric Car.
The Independent's Nikki Chase lists the top 10 filmmakers we think you should watch this year.May 16th, 2011 | Nikki Chase
Wondering who will be named to The Independent's 10 to Watch 2012 list? Here's a reminder of last year's inspiring filmmakers as we put the finishing touches on this year's roll out.
It's time for our annual 10 Filmmakers to Watch list. We’ve pooled our resources and brainpower to get the scoop on who’s who this year.
Brandon Walter Irvine helps filmmakers crack the code of crowd funding.May 12th, 2011 | Brandon Walter Irvine
Crowd Sourcing. Crowd Funding. Kickstarter. IndieGoGo. Everyone's either doing it, talking about it, or wishing they knew enough to utilize these new approaches to making a movie from the ground up. Here's your primer on who, what, and how.
The Big Players and What Differentiates Them
Via Facebook, The Independent announces our 10 to Watch in 2011 with one filmmaker (and one piece of exclusive content) per day, from May 6th through the 15th.May 6th, 2011
We'll be announcing our annual list of 10 of the most talented filmmakers we think you should keep your eye on by posting exclusive content daily on our Facebook page.
Editor's Note: This collaborative reporting effort was led by Nikki Chase, Maddy Kadish and Beth Brosnan.
At SXSW, Steven Abrams explores the threads between technology, fundraising, and independent filmmaking.March 24th, 2011 | Steven Abrams
What's interactive to the third or fourth power? SXSW and its deepening relationship to all things tech and social media. Steve Abrams comments on how, at this year's fest, the intersection of social networking, fundraising, and technology affected the showcased films and which filmmakers are leading by example.
South by Southwest (SXSW) has become a convergence of film, interactive media, and music, as the lines between these media have increasingly blurred. So it's appropriate that David Dworsky and Victor Köhler's documentary, Press Play Pause, was chosen for an opening night premiere.
Many filmmakers want to reach Netflix's 16 million subscribers, but submission guidelines and criteria for films without third-party distributors aren't quite clear yet.January 12th, 2011
Indie filmmakers and DIY distributors are vying for a shot at Netflix distribution. Though Netflix added 300 streaming independent films to their service one year ago, the submission and selection process for indie films is still evolving.
By Michelle L. Martin and Katie O'Connell
In her 7th installment of "Story Strategies: Debunking the Myths of Storytelling," Doc Doctor Fernanda Rossi debunks the myth that waiting for the "right" producer will dissolve all of your film's problems.December 22nd, 2010 | Fernanda Rossi
In her 7th installment of "Story Strategies: Debunking the Myths of Storytelling," Doc Doctor Fernanda Rossi debunks the idea that Ms. or Mr. Right producer is just a phone call, or Facebook chat away... and once together your film will live happily ever after.
“I’ll go on with the film when I find the right producer.” Keep looking!
The myth in all its glory
Prep work and communication with festival staff can ensure a top notch film debut.December 21st, 2010 | Kelly Gallagher
Finally, your work screens at a festival. But the sound is off and it looks terrible. Kelly Gallagher asks festival programmers and filmmakers how to increase exhibition quality at festivals. In addition to post-production, improve your audience's experience through preparation and developing rapport with festival staff.
Many filmmakers forget that there are plenty of final touches to be made after the last edit is approved and digital formatting requirements are met for festival submissions. Even after festival acceptances flood your in-box, there are ways to maintain creative control over your film's exhibition.
Valerie Weiss finds that trial and error can be scary when editing, adding animation, and mixing sound, but it can also bring the filmmaker’s vision, finally, to life.November 30th, 2010 | Valerie Weiss
Filmmaker Valerie Weiss shares her experiences financing, planning, and producing her independent feature film, Losing Control, through a behind-the-scenes series. In this installment, Weiss writes about how she chose and collaborated with her editor, colorist, sound mixer, and others involved with the tricky but rewarding post process.
In my last film journal, I talked about the production of my feature independent film, Losing Control, a quirky, romantic comedy about a female scientist who wants proof that her boyfriend is “the one.” I discussed the trials of production—locations falling through, lack of sleep, and stretching an already
Katherine Brodsky spoke with the now departed filmmaker in Toronto.November 23rd, 2010 | Katherine Brodsky
From a childhood of activism to the Reagan campaign of 1984, the late George Hickenlooper wrestled with politics on and off screen. He discussed his final effort, Casino Jack, a fictional re-telling of lobbyist Jack Abramoff's rise and fall, opening on December 17th, with The Independent.
There’s no doubt that making a political film was meant to be in Casino Jack director George Hickenlooper’s future.