<?xml version="1.0" encoding="utf-8"?>
<rss version="2.0" xml:base="http://www.aivf.org" xmlns:dc="http://purl.org/dc/elements/1.1/">
<channel>
 <title>Television</title>
 <link>http://www.aivf.org/taxonomy/term/23</link>
 <description>The taxonomy view with a depth of 0.</description>
 <language>en</language>
<item>
 <title>As Sundance Sells to Cablevision, Filmmakers Ponder the Future</title>
 <link>http://www.aivf.org/08/05/cablevision-buys-sundance-channel-filmmakers-react</link>
 <description>&lt;p&gt;The Sundance Channel was scooped up by Cablevision&#039;s Rainbow Media for $496 million on May 7. That division of Cablevision also owns the IFC Channel, AMC, Fuse, and We. In announcing the deal, officials took pains to quash speculation that Cablevision would combine IFC and Sundance, the channel founded in 1996 by Robert Redford and partially owned by Redford, General Electric&#039;s NBC, and CBS Corp.&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.aivf.org/08/05/cablevision-buys-sundance-channel-filmmakers-react&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <comments>http://www.aivf.org/08/05/cablevision-buys-sundance-channel-filmmakers-react#comments</comments>
 <enclosure url="http://www.aivf.org/image/view/1109/preview" length="40794" type="image/jpeg" />
 <category domain="http://www.aivf.org/category/issue-date/2008/may-2008">May 2008</category>
 <category domain="http://www.aivf.org/taxonomy/term/23">Television</category>
 <pubDate>Wed, 07 May 2008 22:30:51 -0500</pubDate>
 <dc:creator>mike</dc:creator>
 <guid isPermaLink="false">1108 at http://www.aivf.org</guid>
</item>
<item>
 <title>How to Get a Short on Logo</title>
 <link>http://www.aivf.org/node/799</link>
 <description>&lt;p&gt;Grassroots filmmakers are always looking for mainstream distribution, and short films often have a particularly tough time gaining  exposure. Which is why the success of the Logo Network’s short-film programming is welcome news. Two years ago, Logo, which is basically MTV’s gay cousin, launched The Click List: The Best in Short Film, a weekly show featuring an eclectic mix of stories.&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.aivf.org/node/799&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <comments>http://www.aivf.org/node/799#comments</comments>
 <enclosure url="http://www.aivf.org/image/view/806/preview" length="10237" type="image/jpeg" />
 <category domain="http://www.aivf.org/taxonomy/term/219">November 2007</category>
 <category domain="http://www.aivf.org/taxonomy/term/4">Interviews</category>
 <category domain="http://www.aivf.org/taxonomy/term/23">Television</category>
 <pubDate>Mon, 19 Nov 2007 14:23:58 -0600</pubDate>
 <dc:creator>mike</dc:creator>
 <guid isPermaLink="false">799 at http://www.aivf.org</guid>
</item>
<item>
 <title>Voices from Issues Past</title>
 <link>http://www.aivf.org/node/685</link>
 <description>&lt;p&gt;What happened at AIVF over the last 30 years?&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.aivf.org/node/685&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <comments>http://www.aivf.org/node/685#comments</comments>
 <category domain="http://www.aivf.org/taxonomy/term/78">July/August 2006</category>
 <category domain="http://www.aivf.org/taxonomy/term/188">Activism</category>
 <category domain="http://www.aivf.org/taxonomy/term/193">Casting</category>
 <category domain="http://www.aivf.org/taxonomy/term/194">Crew</category>
 <category domain="http://www.aivf.org/themes/distribution">Distribution</category>
 <category domain="http://www.aivf.org/taxonomy/term/195">Film Budgeting</category>
 <category domain="http://www.aivf.org/themes/festivals">Film Festivals</category>
 <category domain="http://www.aivf.org/themes/financing">Film Financing</category>
 <category domain="http://www.aivf.org/taxonomy/term/25">Film Organizations</category>
 <category domain="http://www.aivf.org/taxonomy/term/36">Film Schools</category>
 <category domain="http://www.aivf.org/taxonomy/term/33">Internet</category>
 <category domain="http://www.aivf.org/taxonomy/term/196">Making Films</category>
 <category domain="http://www.aivf.org/taxonomy/term/130">Microcinema</category>
 <category domain="http://www.aivf.org/taxonomy/term/189">New Media</category>
 <category domain="http://www.aivf.org/taxonomy/term/198">Policy</category>
 <category domain="http://www.aivf.org/taxonomy/term/191">Screenwriting</category>
 <category domain="http://www.aivf.org/taxonomy/term/190">Seminars, Workshops &amp;amp; Events</category>
 <category domain="http://www.aivf.org/taxonomy/term/131">Software</category>
 <category domain="http://www.aivf.org/themes/technical">Technical</category>
 <category domain="http://www.aivf.org/taxonomy/term/23">Television</category>
 <pubDate>Sat, 01 Jul 2006 00:00:00 -0500</pubDate>
 <dc:creator>khards</dc:creator>
 <guid isPermaLink="false">685 at http://www.aivf.org</guid>
</item>
<item>
 <title>AIVF: And What it Meant to Me</title>
 <link>http://www.aivf.org/node/687</link>
 <description>&lt;p&gt;I first became aware of AIVF when Martha Gever was editor of The Independent. I marveled at this national organization that put out each month a magazine chock full of weighty, intellectual and critical articles on film and video.&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.aivf.org/node/687&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <comments>http://www.aivf.org/node/687#comments</comments>
 <category domain="http://www.aivf.org/taxonomy/term/78">July/August 2006</category>
 <category domain="http://www.aivf.org/taxonomy/term/188">Activism</category>
 <category domain="http://www.aivf.org/taxonomy/term/193">Casting</category>
 <category domain="http://www.aivf.org/taxonomy/term/194">Crew</category>
 <category domain="http://www.aivf.org/themes/distribution">Distribution</category>
 <category domain="http://www.aivf.org/themes/documentary">Documentary</category>
 <category domain="http://www.aivf.org/taxonomy/term/195">Film Budgeting</category>
 <category domain="http://www.aivf.org/themes/festivals">Film Festivals</category>
 <category domain="http://www.aivf.org/themes/financing">Film Financing</category>
 <category domain="http://www.aivf.org/taxonomy/term/25">Film Organizations</category>
 <category domain="http://www.aivf.org/taxonomy/term/36">Film Schools</category>
 <category domain="http://www.aivf.org/taxonomy/term/33">Internet</category>
 <category domain="http://www.aivf.org/taxonomy/term/196">Making Films</category>
 <category domain="http://www.aivf.org/taxonomy/term/130">Microcinema</category>
 <category domain="http://www.aivf.org/taxonomy/term/189">New Media</category>
 <category domain="http://www.aivf.org/taxonomy/term/198">Policy</category>
 <category domain="http://www.aivf.org/taxonomy/term/191">Screenwriting</category>
 <category domain="http://www.aivf.org/taxonomy/term/190">Seminars, Workshops &amp;amp; Events</category>
 <category domain="http://www.aivf.org/taxonomy/term/131">Software</category>
 <category domain="http://www.aivf.org/themes/technical">Technical</category>
 <category domain="http://www.aivf.org/taxonomy/term/23">Television</category>
 <pubDate>Sat, 01 Jul 2006 00:00:00 -0500</pubDate>
 <dc:creator>khards</dc:creator>
 <guid isPermaLink="false">687 at http://www.aivf.org</guid>
</item>
<item>
 <title>Hell or High Water</title>
 <link>http://www.aivf.org/node/360</link>
 <description>&lt;p&gt;In 1998, I joined the production team of Julie Gustafson&amp;#146;s &lt;i&gt;Desire&lt;/i&gt;, a documentary about teenage girls from three diverse New Orleans neighborhoods. Funded by both local and outside foundations, Desire was one of the first in New Orleans to create paid opportunities for local documentary makers. As a member of Julie&amp;#146;s crew, I met many independent filmmakers working in the city, and my short stint on the project turned into a long-term relationship with New Orleans. I visited many times over the next eight years to see filmmaking friends and to hear about their projects.&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.aivf.org/node/360&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <comments>http://www.aivf.org/node/360#comments</comments>
 <category domain="http://www.aivf.org/taxonomy/term/75">April 2006</category>
 <category domain="http://www.aivf.org/taxonomy/term/5">Features</category>
 <category domain="http://www.aivf.org/taxonomy/term/196">Making Films</category>
 <category domain="http://www.aivf.org/taxonomy/term/23">Television</category>
 <pubDate>Sat, 01 Apr 2006 00:00:00 -0600</pubDate>
 <dc:creator>marla</dc:creator>
 <guid isPermaLink="false">360 at http://www.aivf.org</guid>
</item>
<item>
 <title>How Far We&#039;ve Come</title>
 <link>http://www.aivf.org/node/354</link>
 <description>&lt;p&gt;In 1988, 19-year-old Joanna Katz and her friend were abducted at gunpoint by five men who took turns raping, beating, and torturing them. Joanna managed to escape and later testified in the trials that led to the sentencing of all five men to 30 to 35 years in prison.&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.aivf.org/node/354&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <comments>http://www.aivf.org/node/354#comments</comments>
 <category domain="http://www.aivf.org/taxonomy/term/75">April 2006</category>
 <category domain="http://www.aivf.org/taxonomy/term/3">Profiles</category>
 <category domain="http://www.aivf.org/taxonomy/term/25">Film Organizations</category>
 <category domain="http://www.aivf.org/taxonomy/term/23">Television</category>
 <pubDate>Sat, 01 Apr 2006 00:00:00 -0600</pubDate>
 <dc:creator>marla</dc:creator>
 <guid isPermaLink="false">354 at http://www.aivf.org</guid>
</item>
<item>
 <title>Making it on public TV</title>
 <link>http://www.aivf.org/node/355</link>
 <description>&lt;i&gt;Dear Doc Doctor:&lt;/i&gt;&lt;br&gt;

																															How can I get my work onto public television?&lt;br&gt;&lt;p&gt;&lt;a href=&quot;http://www.aivf.org/node/355&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <comments>http://www.aivf.org/node/355#comments</comments>
 <category domain="http://www.aivf.org/taxonomy/term/75">April 2006</category>
 <category domain="http://www.aivf.org/taxonomy/term/38">Advice</category>
 <category domain="http://www.aivf.org/taxonomy/term/6">Ask the Doc Doctor</category>
 <category domain="http://www.aivf.org/taxonomy/term/23">Television</category>
 <pubDate>Sat, 01 Apr 2006 00:00:00 -0600</pubDate>
 <dc:creator>RossiF</dc:creator>
 <guid isPermaLink="false">355 at http://www.aivf.org</guid>
</item>
<item>
 <title>The BBC Bully</title>
 <link>http://www.aivf.org/node/296</link>
 <description>&lt;p&gt;Nick Fraser&amp;#146;s career has been a constant battle between &amp;#147;what I will and won&amp;#146;t do for television,&amp;#148; says the 57-year-old series editor of the BBC&amp;#146;s international documentary showcase &amp;#147;Storyville.&amp;#148; A kind of documentary filmmaking godfather, Fraser is able to fund dozens of films each year, but he&amp;#146;s waged a war on media bias&amp;#151;whether that&amp;#146;s what he se&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.aivf.org/node/296&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <comments>http://www.aivf.org/node/296#comments</comments>
 <category domain="http://www.aivf.org/independent/issues/0507.html">July/August 2005</category>
 <category domain="http://www.aivf.org/taxonomy/term/3">Profiles</category>
 <category domain="http://www.aivf.org/themes/documentary">Documentary</category>
 <category domain="http://www.aivf.org/themes/financing">Film Financing</category>
 <category domain="http://www.aivf.org/taxonomy/term/23">Television</category>
 <pubDate>Fri, 01 Jul 2005 00:00:00 -0500</pubDate>
 <dc:creator>marla</dc:creator>
 <guid isPermaLink="false">296 at http://www.aivf.org</guid>
</item>
<item>
 <title>Room for INPUT</title>
 <link>http://www.aivf.org/node/303</link>
 <description>&lt;p&gt;The International Public Television  (INPUT)  conference was hosted this year by Independent Television Service (ITVS). Held in a different country (and hosted by a different public media outlet) each year, INPUT serves public television executives and &lt;/p&gt;
&lt;p&gt;																																independent producers from around the planet through screenings and discussions about some of the most innovative and controversial programming being done today.&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.aivf.org/node/303&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <comments>http://www.aivf.org/node/303#comments</comments>
 <category domain="http://www.aivf.org/independent/issues/0507.html">July/August 2005</category>
 <category domain="http://www.aivf.org/taxonomy/term/3">Profiles</category>
 <category domain="http://www.aivf.org/taxonomy/term/23">Television</category>
 <pubDate>Fri, 01 Jul 2005 00:00:00 -0500</pubDate>
 <dc:creator>marla</dc:creator>
 <guid isPermaLink="false">303 at http://www.aivf.org</guid>
</item>
<item>
 <title>How much should I hustle?</title>
 <link>http://www.aivf.org/node/280</link>
 <description>&lt;p&gt;&lt;b&gt;Dear Doc Doctor:&lt;/p&gt;
&lt;p&gt;																																	My film projects and ideas are well-suited for public television. But as an independent filmmaker I can&amp;#146;t envision my work fitting into pre-formatted programs. Do I have any options besides just selling a finished film?&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.aivf.org/node/280&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <comments>http://www.aivf.org/node/280#comments</comments>
 <category domain="http://www.aivf.org/taxonomy/term/82">April 2005</category>
 <category domain="http://www.aivf.org/taxonomy/term/38">Advice</category>
 <category domain="http://www.aivf.org/taxonomy/term/6">Ask the Doc Doctor</category>
 <category domain="http://www.aivf.org/themes/distribution">Distribution</category>
 <category domain="http://www.aivf.org/taxonomy/term/23">Television</category>
 <pubDate>Fri, 01 Apr 2005 00:00:00 -0600</pubDate>
 <dc:creator>RossiF</dc:creator>
 <guid isPermaLink="false">280 at http://www.aivf.org</guid>
</item>
</channel>
</rss>
