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 <title>How-To</title>
 <link>http://www.aivf.org/taxonomy/term/34</link>
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 <language>en</language>
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 <title>Crowd Funding 101: How to Maximize Your Online Campaign</title>
 <link>http://www.aivf.org/magazine/2011/05/Brandon_Walter_Irvine_Kickstarter_IndieGoGo_how-to-crowdfund</link>
 <description>&lt;p&gt;&lt;b&gt;The Big Players and What Differentiates Them&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.aivf.org/magazine/2011/05/Brandon_Walter_Irvine_Kickstarter_IndieGoGo_how-to-crowdfund&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <comments>http://www.aivf.org/magazine/2011/05/Brandon_Walter_Irvine_Kickstarter_IndieGoGo_how-to-crowdfund#comments</comments>
 <enclosure url="http://www.aivf.org/image/view/4011/preview" length="12672" type="image/jpeg" />
 <category domain="http://www.aivf.org/taxonomy/term/281">May 2011</category>
 <category domain="http://www.aivf.org/taxonomy/term/38">Advice</category>
 <category domain="http://www.aivf.org/themes/financing">Film Financing</category>
 <category domain="http://www.aivf.org/taxonomy/term/34">How-To</category>
 <category domain="http://www.aivf.org/taxonomy/term/196">Making Films</category>
 <category domain="http://www.aivf.org/taxonomy/term/131">Software</category>
 <pubDate>Thu, 12 May 2011 00:00:00 -0500</pubDate>
 <dc:creator>erin</dc:creator>
 <guid isPermaLink="false">3993 at http://www.aivf.org</guid>
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<item>
 <title>Tips on Securing Broadcast on National Public Television</title>
 <link>http://www.aivf.org/magazine/2011/03/Jennifer_Owensby_Sanza_national_public_television_broadcast_tips</link>
 <description>&lt;p&gt;Getting my first documentary, &lt;a href=&quot;http://www.teachingsofjon.com&quot; /&gt;&lt;i&gt;The Teachings of Jon&lt;/i&gt;&lt;/a&gt;, broadcast nationally on public television felt like walking through a minefield, blindfolded.  As a recipient of a completion funds grant from &lt;a href=&quot;http://www.cpb.org&quot; /&gt;Corporation for Public Broadcasting (CPB)&lt;/a&gt;, I was fortunate to have the best mentors to guide me through the process.&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.aivf.org/magazine/2011/03/Jennifer_Owensby_Sanza_national_public_television_broadcast_tips&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <comments>http://www.aivf.org/magazine/2011/03/Jennifer_Owensby_Sanza_national_public_television_broadcast_tips#comments</comments>
 <enclosure url="http://www.aivf.org/image/view/3809/preview" length="28732" type="image/jpeg" />
 <category domain="http://www.aivf.org/taxonomy/term/279">March 2011</category>
 <category domain="http://www.aivf.org/taxonomy/term/34">How-To</category>
 <category domain="http://www.aivf.org/taxonomy/term/23">Television</category>
 <pubDate>Mon, 21 Mar 2011 00:00:00 -0500</pubDate>
 <dc:creator>erin</dc:creator>
 <guid isPermaLink="false">3730 at http://www.aivf.org</guid>
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<item>
 <title>Are Pitch Sessions the New Black?</title>
 <link>http://www.aivf.org/magazine/2011/01/film_pitch_sessions</link>
 <description>&lt;p&gt;Pitch sessions are becoming the go-to attraction at film festivals and conferences. How are filmmakers and expert panelists making the most of these meetings? &lt;/p&gt;
&lt;p&gt;After attending a few sessions firsthand, &lt;i&gt;The Independent&lt;/i&gt; asked film professionals for their input on how to maximize the pitch opportunity. Turns out the answers aren’t so simple. We spoke with:&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.aivf.org/magazine/2011/01/film_pitch_sessions&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <comments>http://www.aivf.org/magazine/2011/01/film_pitch_sessions#comments</comments>
 <enclosure url="http://www.aivf.org/image/view/3631/preview" length="21412" type="image/jpeg" />
 <category domain="http://www.aivf.org/taxonomy/term/195">Film Budgeting</category>
 <category domain="http://www.aivf.org/taxonomy/term/34">How-To</category>
 <category domain="http://www.aivf.org/themes/marketing">Marketing Movies</category>
 <category domain="http://www.aivf.org/taxonomy/term/190">Seminars, Workshops &amp;amp; Events</category>
 <pubDate>Wed, 19 Jan 2011 00:00:00 -0600</pubDate>
 <dc:creator>erin</dc:creator>
 <guid isPermaLink="false">3630 at http://www.aivf.org</guid>
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 <title>Securing Distribution with Netflix</title>
 <link>http://www.aivf.org/magazine/2011/01/netflix_distribution_independent_diy_filmmakers</link>
 <description>&lt;p&gt;By Michelle L. Martin and Katie O&#039;Connell&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.aivf.org/magazine/2011/01/netflix_distribution_independent_diy_filmmakers&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <comments>http://www.aivf.org/magazine/2011/01/netflix_distribution_independent_diy_filmmakers#comments</comments>
 <enclosure url="http://www.aivf.org/image/view/3593/preview" length="28624" type="image/jpeg" />
 <category domain="http://www.aivf.org/taxonomy/term/38">Advice</category>
 <category domain="http://www.aivf.org/themes/distribution">Distribution</category>
 <category domain="http://www.aivf.org/taxonomy/term/7">Distributor Q&amp;amp;As</category>
 <category domain="http://www.aivf.org/taxonomy/term/34">How-To</category>
 <category domain="http://www.aivf.org/taxonomy/term/4">Interviews</category>
 <category domain="http://www.aivf.org/taxonomy/term/196">Making Films</category>
 <pubDate>Wed, 12 Jan 2011 00:00:00 -0600</pubDate>
 <dc:creator>KatieO</dc:creator>
 <guid isPermaLink="false">3586 at http://www.aivf.org</guid>
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 <title>Doc Doctor&#039;s Story Strategies: Looking for the Perfect Producer? Keep Looking!</title>
 <link>http://www.aivf.org/magazine/2010/12/doc_doctor_fernanda_rossi_debunks_producer_myth</link>
 <description>&lt;p&gt;&lt;b&gt;Myth #7&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;“I’ll go on with the film when I find the right producer.” Keep looking!&lt;/p&gt;
&lt;p&gt;&lt;b&gt;The myth in all its glory&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.aivf.org/magazine/2010/12/doc_doctor_fernanda_rossi_debunks_producer_myth&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <comments>http://www.aivf.org/magazine/2010/12/doc_doctor_fernanda_rossi_debunks_producer_myth#comments</comments>
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 <category domain="http://www.aivf.org/taxonomy/term/275">December 2010</category>
 <category domain="http://www.aivf.org/taxonomy/term/6">Ask the Doc Doctor</category>
 <category domain="http://www.aivf.org/themes/documentary">Documentary</category>
 <category domain="http://www.aivf.org/taxonomy/term/34">How-To</category>
 <category domain="http://www.aivf.org/taxonomy/term/196">Making Films</category>
 <pubDate>Wed, 22 Dec 2010 00:00:00 -0600</pubDate>
 <dc:creator>erin</dc:creator>
 <guid isPermaLink="false">3522 at http://www.aivf.org</guid>
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<item>
 <title>Maximizing Film Exhibition Quality at Festivals</title>
 <link>http://www.aivf.org/magazine/2010/12/maximize_film_exhibition_quality_at_film_festivals_sxsw</link>
 <description>&lt;p&gt;Many filmmakers forget that there are plenty of final touches to be made after the last edit is approved and digital formatting requirements are met for festival submissions. Even after festival acceptances flood your in-box, there are ways to maintain creative control over your film&#039;s exhibition.&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.aivf.org/magazine/2010/12/maximize_film_exhibition_quality_at_film_festivals_sxsw&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <comments>http://www.aivf.org/magazine/2010/12/maximize_film_exhibition_quality_at_film_festivals_sxsw#comments</comments>
 <enclosure url="http://www.aivf.org/image/view/3521/preview" length="15976" type="image/jpeg" />
 <category domain="http://www.aivf.org/taxonomy/term/275">December 2010</category>
 <category domain="http://www.aivf.org/taxonomy/term/38">Advice</category>
 <category domain="http://www.aivf.org/taxonomy/term/194">Crew</category>
 <category domain="http://www.aivf.org/themes/festivals">Film Festivals</category>
 <category domain="http://www.aivf.org/taxonomy/term/34">How-To</category>
 <category domain="http://www.aivf.org/taxonomy/term/196">Making Films</category>
 <category domain="http://www.aivf.org/themes/technical">Technical</category>
 <pubDate>Tue, 21 Dec 2010 00:00:00 -0600</pubDate>
 <dc:creator>KatieO</dc:creator>
 <guid isPermaLink="false">3511 at http://www.aivf.org</guid>
</item>
<item>
 <title>How an Innovative Web Doc Secured Traditional Distribution </title>
 <link>http://www.aivf.org/magazine/2010/07/Prison_Valley_web_doc_by_David_Dufresne_and_Philippe_Brault_finds_distribution</link>
 <description>&lt;p&gt;&lt;a href=&quot;http://prisonvalley.arte.tv/?lang=en&quot;&gt;&lt;i&gt;Prison Valley&lt;/i&gt;&lt;/a&gt;, a multimedia prison reform project, tells the tale of Fremont County, Colorado: a tiny patch of the Southwest packed with 13 prisons and a local economy that revolves around the incarceration of 7,735 people—many of whom are the county’s own residents.&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.aivf.org/magazine/2010/07/Prison_Valley_web_doc_by_David_Dufresne_and_Philippe_Brault_finds_distribution&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <comments>http://www.aivf.org/magazine/2010/07/Prison_Valley_web_doc_by_David_Dufresne_and_Philippe_Brault_finds_distribution#comments</comments>
 <enclosure url="http://www.aivf.org/image/view/3243/preview" length="15446" type="image/jpeg" />
 <category domain="http://www.aivf.org/taxonomy/term/270">July 2010</category>
 <category domain="http://www.aivf.org/taxonomy/term/188">Activism</category>
 <category domain="http://www.aivf.org/taxonomy/term/137">Colorado</category>
 <category domain="http://www.aivf.org/themes/distribution">Distribution</category>
 <category domain="http://www.aivf.org/taxonomy/term/34">How-To</category>
 <category domain="http://www.aivf.org/taxonomy/term/33">Internet</category>
 <category domain="http://www.aivf.org/taxonomy/term/189">New Media</category>
 <category domain="http://www.aivf.org/taxonomy/term/183">Europe</category>
 <pubDate>Thu, 15 Jul 2010 00:00:00 -0500</pubDate>
 <dc:creator>courtney</dc:creator>
 <guid isPermaLink="false">3237 at http://www.aivf.org</guid>
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 <title>From Journalist to Documentarian – Five Tips for a Better Documentary</title>
 <link>http://www.aivf.org/magazine/2010/01/doc_tips</link>
 <description>&lt;p&gt;Two-time Emmy Award winner June Cross has written, produced, or edited about a dozen documentaries in a career that spans more than three decades.  She is also an associate professor of Journalism at &lt;a href=&quot;http://www.columbia.edu&quot; target=&quot;_blank&quot;&gt;Columbia University&lt;/a&gt;, where she teaches graduate-level courses in reporting and documentary film.&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.aivf.org/magazine/2010/01/doc_tips&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <comments>http://www.aivf.org/magazine/2010/01/doc_tips#comments</comments>
 <enclosure url="http://www.aivf.org/image/view/2933/preview" length="51984" type="image/jpeg" />
 <category domain="http://www.aivf.org/taxonomy/term/264">January 2010</category>
 <category domain="http://www.aivf.org/taxonomy/term/38">Advice</category>
 <category domain="http://www.aivf.org/themes/documentary">Documentary</category>
 <category domain="http://www.aivf.org/taxonomy/term/34">How-To</category>
 <category domain="http://www.aivf.org/taxonomy/term/196">Making Films</category>
 <pubDate>Mon, 04 Jan 2010 00:00:00 -0600</pubDate>
 <dc:creator>cristina</dc:creator>
 <guid isPermaLink="false">2932 at http://www.aivf.org</guid>
</item>
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 <title>Production Insurance for Filmmakers: Understanding the Basics</title>
 <link>http://www.aivf.org/magazine/07/2009/filmmakerinsurance</link>
 <description>&lt;p&gt;Production insurance is probably one of the most important things a filmmaker needs to take into consideration before shooting the project. Why get insurance for your project?  Essentially, there are three reasons: Legal, Contractual and Asset Protection.&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.aivf.org/magazine/07/2009/filmmakerinsurance&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <comments>http://www.aivf.org/magazine/07/2009/filmmakerinsurance#comments</comments>
 <enclosure url="http://www.aivf.org/image/view/2742/preview" length="17411" type="image/jpeg" />
 <category domain="http://www.aivf.org/taxonomy/term/254">July 2009</category>
 <category domain="http://www.aivf.org/taxonomy/term/38">Advice</category>
 <category domain="http://www.aivf.org/taxonomy/term/34">How-To</category>
 <category domain="http://www.aivf.org/taxonomy/term/196">Making Films</category>
 <pubDate>Sun, 19 Jul 2009 04:57:28 -0500</pubDate>
 <dc:creator>Nikki</dc:creator>
 <guid isPermaLink="false">2743 at http://www.aivf.org</guid>
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 <title>How Filmmakers Can Beat the Recession</title>
 <link>http://www.aivf.org/magazine/06/2009/beattherecession</link>
 <description>&lt;p&gt;As the recession continues to cast a shadow on the American economy, Hollywood studios are emerging as one of the few success stories.  Audiences seeking an entertaining reprieve from layoffs and pay cuts are bringing theaters increased ticket sales and revenue and giving the film industry a &quot;recession proof&quot; reputation.&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.aivf.org/magazine/06/2009/beattherecession&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <comments>http://www.aivf.org/magazine/06/2009/beattherecession#comments</comments>
 <enclosure url="http://www.aivf.org/image/view/2707/preview" length="35787" type="image/jpeg" />
 <category domain="http://www.aivf.org/taxonomy/term/253">June 2009</category>
 <category domain="http://www.aivf.org/taxonomy/term/5">Features</category>
 <category domain="http://www.aivf.org/taxonomy/term/195">Film Budgeting</category>
 <category domain="http://www.aivf.org/themes/financing">Film Financing</category>
 <category domain="http://www.aivf.org/taxonomy/term/34">How-To</category>
 <category domain="http://www.aivf.org/taxonomy/term/196">Making Films</category>
 <pubDate>Mon, 29 Jun 2009 09:02:06 -0500</pubDate>
 <dc:creator>Nikki</dc:creator>
 <guid isPermaLink="false">2708 at http://www.aivf.org</guid>
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