African cinema in the African centurySeptember 1st, 2002 | Claire Andrade-Watkins
While dignitaries from fifty-three African countries gathered in Durban, South Africa, for the in Inaugural Summit of the African Union (AU), the African Union Film Festival (AUFF) drew together filmmakers, cultural policy experts and audiences for six days of free screenings and panels. The thirty-plus films programmed reflected African cinemas past, present, and future, including classics, documentaries, shorts, and new feature films. Taking a cue from the new era launched by the creation of the AU, panels focused on the future of media in Africa.
Where Limitations LiberateSeptember 1st, 2002 | Maya Churi
For many filmmakers a medium where sound doesnt synch well, cuts and dissolves are lost on a small screen, and viewers have to wait and wait for the film to download is a medium in which the limitations outweigh the benefits.
The reason that everyone tries to sell to teenagers is that teenagers are HUNGRY PEOPLE. And just as insecure, self-conscious people often make wildly good art, so do hungry people make good curators. We are all experts at giving the thing we want most. So what would happen if a teenager applied her channel-surfing skills to programming?
Vancouver’s Indie SpiritJuly 1st, 2002 | James Israel
Were the only full-time underground screening space in North America, says Blinding Light founder, Alex MacKenzie. This 110-seat microcinema that screens alternative, underground, and obscure film / video works was founded in 1998.
April in Aspen, Colorado, is a time of transition. The encircling mountains begin shedding their white mantle of snow, ski lifts shut down, skiers ship out, and the conversation changes. Instead of snow conditions, the topic is film, and the action shifts to the center of town, where lively crowds pour into the Wheeler Opera House to partake in the Aspen Shortsfest, now the premiere short film festival in the United States.
Crossover's Studio A fosters mind gamesJuly 1st, 2002 | Lynn Phillips
Now that electronic games can gross higher than Hollywood films, industry creatives are increasingly penetrating the joystick zone to work on stories like shoot Nazi/junkie/alien scum, or crash car into wall again. But in the absence of the Xbox version of The Crying Game, indie film makers are left to wonder, do they have a place in the digital revolution beyon
What media democracy can look likeJune 1st, 2002 | Elizabeth Peters
"We are a voice for activists working independently of large media companies, to some degree in opposition to them," explains Free Speech TV founder John Schwartz. "We champion work that presents an explicit point of view, which means we do have a distinctly different vision than most television channels."
History in the MakingJune 1st, 2002 | Angela Alston
Since shortly after September 11th, Democracy Now!, already a well established radio show hosted by Amy Goodman, has been televised nationally. The show uses a groundbreaking method of distribution. Each day as the show is aired live (9 to 10am est on Manhattan Neighborhood Network), the show is simultaneously encoded into an MPEG2 file.
"Human rights abuses are worse when violators arent afraid of detection." Thats the considered opinion of Gillian Caldwell and the driving force behind Witness, the organization she heads.