Interviews

With the largest network of digital theaters in the US, Emerging Pictures is helping exhibitors and filmmakers grasp hold of the future, which VP of distribution Josh Green says includes one-time screenings, easy access to classics, and front row seats to elite cultural programming.

Prompted by Miranda Bailey's recent documentary, Greenlit, The Independent's Steven Abrams asks two eco-experts for tips on simple, environmentally conscious filmmaking methods.

More and more filmmakers use digital release platforms like iTunes, Netflix Streaming, and Video-on-Demand. Chris Horton, head of acquisitions for FilmBuff, explains the role his company can play in digital distribution.

Located in Seattle, the Northwest Film Forum (NWFF) is an invaluable resource for independent filmmakers in the Pacific Northwest, providing production grants and access to equipment and post-production facilities. The Independent spoke with film programmer Adam Sekuler to get the scoop on how NWFF puts together its exhibition calendar and their support programs for regional filmmakers, as well as some thoughts on the future of independent film distribution.

In a special report for The Independent, Beth Brosnan speaks with students and staff of Ciné Institute, Haiti's only professional film school, about life after the region's devastating earthquake. Brosnan explores how, months later, they're using filmmaking techniques to cope with tragedy, rebuild, and even thrive in the face of adversity.

With never-before-seen footage and interviews with Kurtis Blow, DJ Hollywood, and club owner Sal Abbatiello, the short documentary White Lines and The Fever: The Death of DJ Junebug portrays life in the ‘80s when hip-hop was young, cocaine was in, and life as a DJ often meant you did a little of both.

Shot entirely in Singapore as part of the NYU Tisch Asia MFA program, Delilah, Before marks the directorial debut of filmmaker Melanie Schiele. Here, she talks about the program and the film, as the film screens at the 2010 Tribeca Film Festival.

Have you ever felt your eyes lock with someone across a crowded subway, only to wish later that you had ripped through the crowd to get some digits? You’re not the only one. That's the subject of director Mary Robertson’s short film Missed Connections now screening at the 2010 Tribeca Film Festival.

Filmmaker Michael Creagh, a native of Belfast, takes the plunge into writing and directing with his debut film The Crush, a short featured in the 2010 Tribeca Film Festival.

Filmmaker Mercedes Stalenhoef thought she was filming a young woman with dreams of escaping her poor Romanian hometown for a better life. But then another film crew descended on Glod, Romania, to shoot scenes for Borat, forever changing the villagers' prospects and not necessarily for the better. The Independent's Randi Cecchine interviews Stalenhoef about the process of making and distributing her documentary, Carmen Meets Borat.