New York
A Meeting of Worlds: YouTube Biennial at the Guggenheim
Courtney Sheehan reports on the Guggenheim’s foray into digital culture and the mixed reactions to merging low and high culture
July 9th, 2010 | Courtney SheehanYouTube and the Guggenheim are joining forces to orchestrate “the first biennial of creative video,” called YouTube Play. The Independent's Courtney Sheehan ponders the high-meets-low aspect of this endeavor with help from the blogosphere.
The Guggenheim Museum: one of the art world’s most venerable institutions, home of masterpieces from the Impressionist movement to the modern era.
Defending Tribeca in an Era of Megabrands
In addition to serving up his top choices from Tribeca 2010, reviewer Kurt Brokaw celebrates the festival's sprawling, something-for-everyone approach.
May 11th, 2010 | Kurt BrokawKurt Brokaw stamps his critic's seal on select films from Tribeca 2010 and explains why the festival deserves a nod for nine years of expansive programming in a post-9/11 neighborhood... and world.
Those French scamps who walked off with this year’s Best Short Oscar (LogoRama) didn’t sneak in a Tribeca Film Festival logo among their 2,500 global power players.
Tribeca 2010: Travis Senger on "White Lines and The Fever: The Death of DJ Junebug"
Travis Senger takes on '80s hip-hop and an unsolved murder in his latest film, just named Best Documentary short at Tribeca 2010.
May 1st, 2010 | Michele MeekWith never-before-seen footage and interviews with Kurtis Blow, DJ Hollywood, and club owner Sal Abbatiello, the short documentary White Lines and The Fever: The Death of DJ Junebug portrays life in the ‘80s when hip-hop was young, cocaine was in, and life as a DJ often meant you did a little of both.
After winning a special jury prize at SXSW 2010, Filmmaker Travis Senger brings his short documentary White Lines and The Fever: The Death of DJ Junebug to the 2010 Tribeca Film Festival this week. His documentary explores the old days of hip-hop and the dangerous underworld at the legendary Disco Fever.
Tribeca 2010: Mary Robertson on "Missed Connections"
Mary Robertson explains why eight minutes is a "delicious" length and then comes clean about whether or not she's had any "missed connections." Her short film screens at Tribeca 2010.
April 28th, 2010 | Michele MeekHave you ever felt your eyes lock with someone across a crowded subway, only to wish later that you had ripped through the crowd to get some digits? You’re not the only one. That's the subject of director Mary Robertson’s short film Missed Connections now screening at the 2010 Tribeca Film Festival.
Have you ever felt your eyes lock with someone across a crowded subway, only to wish later that you had ripped through the crowd to get some digits? You’re not the only one.
Advance Look at New Directors/New Films
Kurt Brokaw reviews his favorites from the longstanding collaborative festival between The Film Society of Lincoln Center and The Museum of Modern Art, screening March 24th-April 4th.
March 17th, 2010 | Kurt BrokawTrue that The Independent is not in the habit of reviewing films, but we've got fresh talent on board with Kurt Brokaw, New School professor and 92Y teacher. He's watching all 38 films in the New Directors/New Films lineup and zoning in on the best of the fest exclusively for our readers.
For the past 38 years in Manhattan, The Film Society of Lincoln Center and The Museum of Modern Art have collaborated on an annual presentation of New Directors/New Films. This year's 27 features and 11 shorts, representing 20 countries, will screen at both locales between March 24th and April 4th.
10 Most Innovative Animation Programs
The Independent highlights 10 of the best animation programs in the United States. Did your alma mater make the cut?
December 7th, 2009 | Teresa BitlerThe Independent scours the United States to find the 10 most innovative animation programs the country has to offer. The schools on this comprehensive list were picked based on reputation, creativity, and where their students find work after they earn their diplomas.
Opportunities abound today for animators to contribute to film — both independent and mainstream — television, and games, but it is still a competitive field, and choosing the right animation program can mean the difference between pushing the animation envelope at studios such as Pixar and
Exhibitor FAQ: Amherst Theatre
Talking with Phillip Freedenberg, general manager of the Amherst Theatre in Buffalo, NY.
August 18th, 2009 | Emily CataneoThe Independent launches its new series of Exhibitor FAQs to provide resources and advice on how to get your film onto the big screen. Following in the tradition of the distributor and funder Q&As, the Exhibitor FAQ will feature a different theatre, museum or other screening venue with tips on how to approach the theatre, market your film, and find an audience for your film. This month, The Independent talks with Phillip Freedenberg, general manager of the Amherst Theatre in Buffalo, NY.
The Independent launches its new series of Exhibitor FAQs to provide resources and advice on how to get your film onto the big screen. Following in the tradition of the distributor and funder Q&As, the Exhibitor FAQ will feature a different theatre, museum or other screening venue with tips on how to approach the theatre, market your film, and find an audience for your film.
For Inspiration, Judd Ehrlich Looked to the Subject of His New Film, "Run For Your Life"
A look at the crowd-pleasing Fred Lebow biography that premiered at the 2008 Tribeca Film Festival
June 11th, 2008 | Mike HofmanThough this year's Tribeca Film Festival was dominated by Scandanavian vampires, a decidely American documentary about, yes, a Transylvanian immigrant from Brooklyn also drew crowds. The film is Judd Ehrlich's Run for Your Life (view the trailer), a biography of Fred Lebow, the founder of the New York City Marathon. He was also an impresario, a canny politician, a PR machine, a womanizer, a visionary, a hot head, and—in Ehrlich's words—"a survivor in every sense of the word." The challenge in making the film, then, was not digging up material, but sorting through a mountain of interviews and other footage. Ehrlich recently talked about the film with The Independent's Mike Hofman.
While vampires made a big splash at this year's Tribeca Film Festival, a documentary about a son of Transylvania carved out a decidedly different niche for itself.
The Doc Doctor's Anatomy of a Successful Film: "Divan"
Filmmaker Pearl Gluck uses her quest to reclaim a sofa to unpack the story of her Jewish heritage
December 26th, 2007 | Fernanda RossiIn Divan, filmmaker Pearl Gluck embarks on a quest to reclaim a sofa on which esteemed rebbes slept. The journey takes her and the audience from New York City to Hungary, Ukraine, and Israel. The documentary has been accepted by more than 40 festivals including Tribeca, had a run at Film Forum in Manhattan, and aired on the Sundance Channel in the U.S. and on Channel 8 in Israel. You can watch the trailer, or check out previous columns that analyze the success of the films Rock in a Heart Place and Kiran over Mongolia.
About this new column: Many filmmakers ponder in anguish, How do other people—celebrated people—do it? Am I taking too long to make this documentary? Does everybody spend as much money as I am spending, or am I spending too little? And when filmmakers share their lessons learned in interviews in the glossy trade magazines, their tales seem to follow the arc of otherworldy heroes rather than real documentary makers, i.e. human beings like you and me. So starting this month, the Doc Doctor decided to go out into the world (this real world) of filmmakers who are successful and find out how they made it. Each month, her "anatomy" will be a chance to learn from their hits and misses in real life examples. —Fernanda Rossi, story consultant a.k.a. the Documentary Doctor
Understanding the School Market: From Astronomy to STDs
The Independent's popular Distributor FAQ series returns with an interview with Joan Hartogs, the co-founder of Landmark Media
December 1st, 2007 | Katelyn HardingThe Independent's popular Distributor FAQ series returns. This month, The Independent's Katelyn Harding talk to Joan Hartogs, the co-founder of Landmark Media, based in Virginia, which distributes educational children's movies to schools and libraries. Among their recent titles: Animals A-Z about wildlife and Heads Up, a film about (you guessed it) the laws of gravity.
Running a family business. Keeping children’s education first. Staying independent through increased corporate consolidation amidst a radical overhaul of the way film and video is distributed. Given all of that idealism, it may seem that educational film and video distributor Landmark Media has its work cut out for it.
Our book The Independent's Guide to Film Distributors features the acquisition details of nearly 200 film distributors. Buy it now from 
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